In my travels I have experienced what I thought was jet lag, a kind of sluggishness and fatigue that is somewhat annoying and is over in a few days. When I heard others who travel more than I complain of jet lag, I assumed they were speaking of this minor nuisance and I wondered about the basis of their difficulty.
However, the jet lag I experienced this time after returning from Korea was totally disabling, a major impediment to routine functioning. This was not something that I could ignore, since my energy was totally drained and I was thoroughly disoriented. Each day I would manage to get out of bed and get through the morning routine, but when I tried to leave the apartment, I would feel as though someone had hit me with a sledge hammer as I was trying to walk while dragging a three hundred pound weight. Each day I would try to return to work, I would be beaten back by a ruthless fatigue that resembled a drug-induced state. I would lay delirious in bed, voices on the radio blending with my fantasies in some bizarre narrative of intrigue and deception. Somehow I would find myself back in Korea in some back street pursuing some vague adventure that left me helpless and alone...descending into unconsciousness.
One friend advised me to "stay with the sun" and I thought he merely meant to adjust my sleeping habits to the local daylight hours. But I have since learned that the remedy is to absorb as much sunlight as possible as it creates a chemical response that counteracts the jet lag and enables you to adjust quickly. Alas! I learned this too late since I am now in the final stages of recovery. Yet, I have a new respect for those world travelers who seem to thrive in the changing zones of time and days perhaps creating a new species equipped for time travel.
Who is Phaedrus? He explores interior frontiers where we meet to discover possibilities of ourselves... He is in the shadows, in the sounds, in the strains of music filtering through, in the past and somewhere in a distant time to be...
Monday, August 28, 2006
Wednesday, August 16, 2006
Namsadang
When I travel, I always think there will be more free time than actually materializes. I thought I would have time for long, leisurely blogging about my visit to Korea. I have many notes and many thoughts, few of which have made it through my fingers to this Blog. It's okay. Right now I am trying to relish the moments and the people. Some of these experiences will eventually make their way to words, but others may slumber for another time.
One discovery that I cherish is Namsadang and the newly sculpted figures in Anseong that celebrate this entertainment and art genre. Apparently the film The King and the Clown (Wang-eui Nam-ja) is narrated through the context of Namsadang, so I look forward to seeing that film which apparently has had lasting impact on Koreans. It seems clear that effotrs such this are awakening many to the rich heritage and past of a country that is distinctively different from its Asian neighbors despite some obvious practices they share through interaction over centuries.
Namsadang (Namsadang Nori) represents a traveling group of entertainers much in the spirit of Commedia dell'arte that flourished as a traveling troupe of acrobats, dancers, and actors in Italy in the 1500s. The sculpted figures at Anseong convey the spontaneity and energy of this practice that has as its primary aim to entertain, and through the invention and imagination of its makers has risen to the status of a national art. These figures were installed this past July, so they have been a public fixture for about a month. They make an exciting contribution to Anseong and performance heritage of Namsadang.
One discovery that I cherish is Namsadang and the newly sculpted figures in Anseong that celebrate this entertainment and art genre. Apparently the film The King and the Clown (Wang-eui Nam-ja) is narrated through the context of Namsadang, so I look forward to seeing that film which apparently has had lasting impact on Koreans. It seems clear that effotrs such this are awakening many to the rich heritage and past of a country that is distinctively different from its Asian neighbors despite some obvious practices they share through interaction over centuries.
Namsadang (Namsadang Nori) represents a traveling group of entertainers much in the spirit of Commedia dell'arte that flourished as a traveling troupe of acrobats, dancers, and actors in Italy in the 1500s. The sculpted figures at Anseong convey the spontaneity and energy of this practice that has as its primary aim to entertain, and through the invention and imagination of its makers has risen to the status of a national art. These figures were installed this past July, so they have been a public fixture for about a month. They make an exciting contribution to Anseong and performance heritage of Namsadang.
Tuesday, August 15, 2006
Itaewon: Pul Hyanggi and the Grand Hyatt Terrace
Finally, Sang-chuel Choe and I made contact and arranged to get together on this day of Korean Independence. I had already had met for lunch with Professor Doo-jin Han, and with Youngju and Han went to the new National Museum of Korea, so the day had been rather full. Youngju shared some time as I waited for Sang-chuel in the lounge of the Seoul Plaza. (The day had brought one minor disaster: I lost my camera in a taxi without much hope of recovering it.)
As we waited in the lounge, Youngju pointed out a match-making date in progress, which I learned is a very common event in hotel lounges. Korea is filled with such elegant and fanciful lounges, so it seems a great ritual for seeking and finding the mate of your dreams.
Sang-chuel finally fought his way through the notorious Seoul traffic jams arriving slightly after 7 p.m. He drove to a restaurant just beside the Itaewon area, Pul Hyanggi, which he explained means the scent or fragrance of grasses. This was a traditional Korean restaurant and I am not sure exactly what Sang-chuel ordered, but the food kept coming for an hour and twenty minutes with delectable dishes I had never seen or tasted before. It was a fest for royalty and a truly unforgettable experience. The woman dressed in traditional Korean fashion who served as our host orchestrated the meal with grace and devotion, making each dish resonate with its own special meaning and aura.
Sang-chuel telephoned Insook and arranged for her to meet us at the Grand Hyatt Hotel in nearby (very nearby) Itaewon, a cosmopolitan, upscale district appealing to international travelers and Koreans seeking a more multicultural setting. We drove along the main street of Itaewon and I felt as though we were in another country. I had read about this thriving Itaewon section in the Korean Airline's magazine, Morning Calm, and in this brief sojourn it more than lived up to the promise of the article.
The Grand Hyatt was a blast. The moment you entered, you felt like you had entered a different world. It was pulsing with energy. The lounge was filled with young people bent on romance and celebration, aided and abetted by a piano player who pulled the essence of Korean dreamy pop from the ivories with an appropriate rubato spirit of wanderlust.
We went to Sang-chuel's favorite Hyatt hangout, The Terrace. I can only say that the view from the terrace was spectacular, a panoramic view of Seoul and the Han river. We looked south from Mount Namsan across the river to the new city, and I thought I had a sense of where COEX and Chungang University might be located in that distant view. While we waited for Insook a waiter walked around the restaurant with a sign that had little bells ringing. Sang- chuel explained it was another meeting of strangers hoping to meet their dreammate.
Insook joined us shortly and we invested some calories in the desserts and coffee. I had the Mango Cup which totally destroyed any hope I had of trying to stay within range of my diet. But what the heck...it's Korea, after all.
As we waited in the lounge, Youngju pointed out a match-making date in progress, which I learned is a very common event in hotel lounges. Korea is filled with such elegant and fanciful lounges, so it seems a great ritual for seeking and finding the mate of your dreams.
Sang-chuel finally fought his way through the notorious Seoul traffic jams arriving slightly after 7 p.m. He drove to a restaurant just beside the Itaewon area, Pul Hyanggi, which he explained means the scent or fragrance of grasses. This was a traditional Korean restaurant and I am not sure exactly what Sang-chuel ordered, but the food kept coming for an hour and twenty minutes with delectable dishes I had never seen or tasted before. It was a fest for royalty and a truly unforgettable experience. The woman dressed in traditional Korean fashion who served as our host orchestrated the meal with grace and devotion, making each dish resonate with its own special meaning and aura.
Sang-chuel telephoned Insook and arranged for her to meet us at the Grand Hyatt Hotel in nearby (very nearby) Itaewon, a cosmopolitan, upscale district appealing to international travelers and Koreans seeking a more multicultural setting. We drove along the main street of Itaewon and I felt as though we were in another country. I had read about this thriving Itaewon section in the Korean Airline's magazine, Morning Calm, and in this brief sojourn it more than lived up to the promise of the article.
The Grand Hyatt was a blast. The moment you entered, you felt like you had entered a different world. It was pulsing with energy. The lounge was filled with young people bent on romance and celebration, aided and abetted by a piano player who pulled the essence of Korean dreamy pop from the ivories with an appropriate rubato spirit of wanderlust.
We went to Sang-chuel's favorite Hyatt hangout, The Terrace. I can only say that the view from the terrace was spectacular, a panoramic view of Seoul and the Han river. We looked south from Mount Namsan across the river to the new city, and I thought I had a sense of where COEX and Chungang University might be located in that distant view. While we waited for Insook a waiter walked around the restaurant with a sign that had little bells ringing. Sang- chuel explained it was another meeting of strangers hoping to meet their dreammate.
Insook joined us shortly and we invested some calories in the desserts and coffee. I had the Mango Cup which totally destroyed any hope I had of trying to stay within range of my diet. But what the heck...it's Korea, after all.
Sunday, August 13, 2006
Jumping into the Seoul Scene
Sunday, Seoul time was an exhilarating trek through the streets and by-ways of a city bigger than New York that felt somehow more intimate and open. Maybe it was just the charm of my guide, Jungmin (later joined by another charming guide) and her shrewd maneuvering. However, nothing can be done to avoid the traffic jams of Seoul which are growing more and more severe even as I am typing this paragraph. It is one of those things that everyone complains about, but somehow seem to accept as a modern condition of city life. With 44 million people who own at least one car, driving is a challenge and you usually are trying to flee the city and the congestion for points south and the endless shores that outline the peninsula.
We went through some fashionable shopping malls to watch people and the gleaming and timely products, and ended up at Tani for lunch, a fusion eatery designed as an upscale but cozy retreat where conversation and idleness reign. It was difficult to disengage from this quiet oasis, but we were seeking to be in the streets and mingle with people and Korean Culture. It was extremely hot and humid, but nevertheless we headed for a landmark, Myeong Dong Catholic Cathedral, which was about 200 meters away. Our path led us through the street of youth, Myeong Dong, a boulevard without cars, inhabited by thousands of teenagers (and younger) with many shops and carts designed to lure them into sales, but they seemed especially savvy and out for other adventures. Walking this street gave new meaning to the phrase "strolling the boulevard..."
Eventually we came to the church, which because it was Sunday was filled with worshippers and tourists like myself. I took a few pictures but was fiercely attacked and admonished by a girl of about 15 years, who was supported by some man who appeared to be in charge of the back of the church. They were intent in herding people to the sides of the church where no one could see, while keeping the center of the sanctuary vacant.
Our real destination for the day was a martial arts musical show called Jumping that had been running for some time and became extremely popular after being acclaimed by a festival in Edinburgh. As it happened, we were to see the last performance of this show in the Cecil Theatre (a typical off-Broadway style space) before it began a national tour.
Upon leaving the church, we grabbed a taxi, and discovered that the driver did not have the slightest idea how to get to the theatre, even though it is a well-known destination and quite famous because of the hit shows that have played there. It was at this point, Jungmin pulled out her phone and called someone for directions, and then handed the phone to the driver, who despite this assistance seemed very reluctant to accept the directions.
Even though we inched our way through traffic, we made it to the theatre much too early and were told about a nearby cafeteria where we might spend some time and find some refreshment. But the cafeteria was closed for Sunday, so we wandered a long the street and stumbled upon a true national treasure that had been named by an international group of architects as the most impressive and beautiful building in Seoul, the Seoul Anglican Church.
This was an extraordinary discovery, and although the sanctuary was closed, a very kind gentleman unlocked the doors and gave us a personal tour. The architecture is Anglican gothic mixed with Korean, the only such structure of its kind. Even as I write this in the plaza of the Seoul Plaza Hotel, I am looking at this idyllic structure with the deep earthern orange roofs and light brown stone that sits in the center of the city, out of the way but also deeply in the midst of the life of Seoul. Begun in 1924, the church took more than 70 years to complete, and saw Seoul survive some of its most tempestuous times.
After leaving the church, we discovered a gallery maintained by one of Korea's largest newspapers, Chosan. In the gallery we found a very tasteful snackbar where we tried a beverage Clearly Canadian and a mango frappe. This turned out to be a great spot to talk politics, and I discovered that Korea's president is not well thought of (to say the least).
We then headed for the Cecil Theatre and watched a wonderful display of energy and imagination called Jumping, and by the time the show was over the whole place was jumping. A highlight of the event was after the show when the entire cast lined up to give autographs and pose for pictures. Jungmin collected all the autographs as I served as the historian/researcher.
You might think that would be the finish of a wonder-filled day, but we were joined by Youngju and headed for the Samsung Tower and a restaurant/bar known as Top Cloud. There we had impressive French Cuisine and shared ice cream and cake to finish the meal. The manager of the restaurant and our waiter were rather smitten by my guides, so we were treated to a tour and pictures before we finally left and called it a day.
We went through some fashionable shopping malls to watch people and the gleaming and timely products, and ended up at Tani for lunch, a fusion eatery designed as an upscale but cozy retreat where conversation and idleness reign. It was difficult to disengage from this quiet oasis, but we were seeking to be in the streets and mingle with people and Korean Culture. It was extremely hot and humid, but nevertheless we headed for a landmark, Myeong Dong Catholic Cathedral, which was about 200 meters away. Our path led us through the street of youth, Myeong Dong, a boulevard without cars, inhabited by thousands of teenagers (and younger) with many shops and carts designed to lure them into sales, but they seemed especially savvy and out for other adventures. Walking this street gave new meaning to the phrase "strolling the boulevard..."
Eventually we came to the church, which because it was Sunday was filled with worshippers and tourists like myself. I took a few pictures but was fiercely attacked and admonished by a girl of about 15 years, who was supported by some man who appeared to be in charge of the back of the church. They were intent in herding people to the sides of the church where no one could see, while keeping the center of the sanctuary vacant.
Our real destination for the day was a martial arts musical show called Jumping that had been running for some time and became extremely popular after being acclaimed by a festival in Edinburgh. As it happened, we were to see the last performance of this show in the Cecil Theatre (a typical off-Broadway style space) before it began a national tour.
Upon leaving the church, we grabbed a taxi, and discovered that the driver did not have the slightest idea how to get to the theatre, even though it is a well-known destination and quite famous because of the hit shows that have played there. It was at this point, Jungmin pulled out her phone and called someone for directions, and then handed the phone to the driver, who despite this assistance seemed very reluctant to accept the directions.
Even though we inched our way through traffic, we made it to the theatre much too early and were told about a nearby cafeteria where we might spend some time and find some refreshment. But the cafeteria was closed for Sunday, so we wandered a long the street and stumbled upon a true national treasure that had been named by an international group of architects as the most impressive and beautiful building in Seoul, the Seoul Anglican Church.
This was an extraordinary discovery, and although the sanctuary was closed, a very kind gentleman unlocked the doors and gave us a personal tour. The architecture is Anglican gothic mixed with Korean, the only such structure of its kind. Even as I write this in the plaza of the Seoul Plaza Hotel, I am looking at this idyllic structure with the deep earthern orange roofs and light brown stone that sits in the center of the city, out of the way but also deeply in the midst of the life of Seoul. Begun in 1924, the church took more than 70 years to complete, and saw Seoul survive some of its most tempestuous times.
After leaving the church, we discovered a gallery maintained by one of Korea's largest newspapers, Chosan. In the gallery we found a very tasteful snackbar where we tried a beverage Clearly Canadian and a mango frappe. This turned out to be a great spot to talk politics, and I discovered that Korea's president is not well thought of (to say the least).
We then headed for the Cecil Theatre and watched a wonderful display of energy and imagination called Jumping, and by the time the show was over the whole place was jumping. A highlight of the event was after the show when the entire cast lined up to give autographs and pose for pictures. Jungmin collected all the autographs as I served as the historian/researcher.
You might think that would be the finish of a wonder-filled day, but we were joined by Youngju and headed for the Samsung Tower and a restaurant/bar known as Top Cloud. There we had impressive French Cuisine and shared ice cream and cake to finish the meal. The manager of the restaurant and our waiter were rather smitten by my guides, so we were treated to a tour and pictures before we finally left and called it a day.
Saturday, August 12, 2006
An American in Seoul
Coming into Seoul from Anseong, I felt the energy of a city tuned to the present but steeped in the rich heritage and tradition of a past that stretches into the remote past and included regions that extended out as far as Manchuria.
As we approached City Hall, we could see the building decorated in anticipation of the upcoming national holiday on Tuesday, August 15th of Kwangbok-jol, Korean Liberation and the establishment of the first Korean government in 1948. The building was completely covered with materials replicating the Korean flag Tae-kuk with intense red, white, and blue with the black characters framing the central red and blue yin and yang symbol. Workers were busily constructing a stage to the side of the building.
Fortunately my hotel room looks out over this scene from the 20th floor where I look northward to the mountains that surround Seoul. As I look on the grounds before me, I see the great lawn in front of the City Hall Building. In the states, this area would be sealed off with a "Keep Off the Grass" sign, but here in Seoul families are enjoying the lawn, strolling and sitting, with children running and playing.
To my left as I look at the circular grounds below is a square with about 64 water fountains that shoot out various patterns as children run into the square to be doused with water. They are having such fun. What a great idea!
The stage has been comleted and chairs set for musicians. In front of the soundstage is a circular stage, which will likely be for speakers, performers, dancers, and whatever will comprise the official celebration.
From the intense activity, I wonder if there will be some event today, Sunday, in anticipation of the Tuesday holiday. I have just finished breakfast and will be going out in the city with some adventure ahead. Last night I went to the Korean Traditional Theatre with a friend. We had been led to believe that the top performer of Pansori, An Sook Sun, would perform that night, but as it turned out, it was her students, who were fine, but still growing. We watched the Pansori for about an hour. It is an epic work that is deeply ingrained in the Korean Psyche. The entire performance is usually about four hours.
As we approached City Hall, we could see the building decorated in anticipation of the upcoming national holiday on Tuesday, August 15th of Kwangbok-jol, Korean Liberation and the establishment of the first Korean government in 1948. The building was completely covered with materials replicating the Korean flag Tae-kuk with intense red, white, and blue with the black characters framing the central red and blue yin and yang symbol. Workers were busily constructing a stage to the side of the building.
Fortunately my hotel room looks out over this scene from the 20th floor where I look northward to the mountains that surround Seoul. As I look on the grounds before me, I see the great lawn in front of the City Hall Building. In the states, this area would be sealed off with a "Keep Off the Grass" sign, but here in Seoul families are enjoying the lawn, strolling and sitting, with children running and playing.
To my left as I look at the circular grounds below is a square with about 64 water fountains that shoot out various patterns as children run into the square to be doused with water. They are having such fun. What a great idea!
The stage has been comleted and chairs set for musicians. In front of the soundstage is a circular stage, which will likely be for speakers, performers, dancers, and whatever will comprise the official celebration.
From the intense activity, I wonder if there will be some event today, Sunday, in anticipation of the Tuesday holiday. I have just finished breakfast and will be going out in the city with some adventure ahead. Last night I went to the Korean Traditional Theatre with a friend. We had been led to believe that the top performer of Pansori, An Sook Sun, would perform that night, but as it turned out, it was her students, who were fine, but still growing. We watched the Pansori for about an hour. It is an epic work that is deeply ingrained in the Korean Psyche. The entire performance is usually about four hours.
Friday, August 04, 2006
JFK-KAL-KOREA
I am sitting here, half a world away from my destination: Seoul, Korea. I am in the Korean Airlines Lounge looking across to the waterway that skirts the runway at JFK. In Korea it is half past midnight, August 5th. Here is it is not yet noon, August 4th, Eastern Daylight Time. I will go through an enormous afternoon in which Friday will morph into Saturday and I will step off the plane around 5 p.m. Saturday, fully convinced that I have taken a long summer's day into evening.
This is the miracle of travel, a phenomenon that makes us aware of the relativity of Time. Even on our little blue marble planet we experience time warping through space, the delay of Time filtered through the array of Space, slipping into dimensions of consciousness not fully comprehended, too easily dismissed as "jet lag."
My taxi to JFK was through a different time warp. The driver was pure Indian, with full Indian regalia, and he was intent on avoiding the bottleneck where the LIE joins the Cross Island Expressway. This took him on a journey past LaGuardia Airport, and I thought for a moment that I must have muttered the wrong airport as I recovered from the trauma of lifting and loading my extremely heavy bag into the trunk. Given the high humdity, there was a mess of fluids dripping from me and hitting the cold air conditioning of the cab like a miniature weatherfront.
"Are we going to JFK?" I managed, but the driver was silent, and in my weakened immune state, I began to imagine I was being abducted. Such moments are heady fantasies since it requires an audacious leap of faith that you are someone worthy of abduction... a boost to the old self-esteem...
I looked at all of the familiar ramp exits of LaGuardia and was thoroughly convinced I would never make it to Korea.
"Are you going to JFK?" I repeated, with somewhat more authority than before.
The driver glanced back at me and nodded.
There was surprisingly little traffic as we literally flew along the Van Wyck, usually the nemesis of every driver attempting to reach JFK by automobile.
And now, here I sit, listening to the distant roar of jets coming in and out of JFK, sipping some coffee courtesy of KAL and beginning the first Blog of my journey to the East, which amazingly takes me to the north and west to a world of serene mountains, robust people, beautiful lakes, and a city that never stops, but literally stretches out to the mountains all around in a pose of foreverness.
My friends in Korea are mostly asleep by now. I won't sleep for a whole day, because I can never sleep when I travel, but my psyche will pretend that it is just one long, beautiful day stretched out in the twilight of summer, and we can blame my drowsiness on the heat and the humidity.
This is the miracle of travel, a phenomenon that makes us aware of the relativity of Time. Even on our little blue marble planet we experience time warping through space, the delay of Time filtered through the array of Space, slipping into dimensions of consciousness not fully comprehended, too easily dismissed as "jet lag."
My taxi to JFK was through a different time warp. The driver was pure Indian, with full Indian regalia, and he was intent on avoiding the bottleneck where the LIE joins the Cross Island Expressway. This took him on a journey past LaGuardia Airport, and I thought for a moment that I must have muttered the wrong airport as I recovered from the trauma of lifting and loading my extremely heavy bag into the trunk. Given the high humdity, there was a mess of fluids dripping from me and hitting the cold air conditioning of the cab like a miniature weatherfront.
"Are we going to JFK?" I managed, but the driver was silent, and in my weakened immune state, I began to imagine I was being abducted. Such moments are heady fantasies since it requires an audacious leap of faith that you are someone worthy of abduction... a boost to the old self-esteem...
I looked at all of the familiar ramp exits of LaGuardia and was thoroughly convinced I would never make it to Korea.
"Are you going to JFK?" I repeated, with somewhat more authority than before.
The driver glanced back at me and nodded.
There was surprisingly little traffic as we literally flew along the Van Wyck, usually the nemesis of every driver attempting to reach JFK by automobile.
And now, here I sit, listening to the distant roar of jets coming in and out of JFK, sipping some coffee courtesy of KAL and beginning the first Blog of my journey to the East, which amazingly takes me to the north and west to a world of serene mountains, robust people, beautiful lakes, and a city that never stops, but literally stretches out to the mountains all around in a pose of foreverness.
My friends in Korea are mostly asleep by now. I won't sleep for a whole day, because I can never sleep when I travel, but my psyche will pretend that it is just one long, beautiful day stretched out in the twilight of summer, and we can blame my drowsiness on the heat and the humidity.
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